Music
South Florida Swallows the Neon Pill With Cage the Elephant
Cage the Elephant and the Shultz Brothers Prove Their Reign of Psychedelic Rock Continues – Photos and Review of the Cage the Elephant Concert at the Hard Rock Live in Hollywood, FL
A diverse crowd of modern rock faithfuls descended upon the iconic guitar-shaped Hard Rock Live at the Seminole Casino and Hotel in Hollywood last night, turning the casino floor into a virtual zoo of excitement. They were all drawn by the same primal call: the raw, unpredictable, and utterly captivating energy of Cage the Elephant. The band, touring behind their latest album “Neon Pill“, orchestrated a 90 minute masterclass in rock and roll catharsis, leaving the packed theater breathless and buzzing long after the house lights came up.

Kicking off the night was Girl Tongue, a sister duo consisting of Kenzie on guitar and vocals and Laila on drums. Though just starting their journey, the pair commanded the stage with a confident, minimalist swagger that immediately called to mind the primal energy of acts like The White Stripes. Their sound was a potent blend of sun-drenched garage-rock and hazy, melodic harmonies, built on a foundation of Laila’s sturdy, uncomplicated beats and driven by Kenzie’s fuzzed-out guitar riffs and vocals that swayed between a cool croon and a passionate wail. They served as the perfect first act, their infectious energy effectively warming up the growing crowd.

They were followed by a jarring, and brilliantly effective, change of pace with the arrival of SOFT PLAY. The punk duo from England, formerly known as Slaves, unleashed a blistering sonic assault that felt like a shot of adrenaline straight to the heart. Their set was a relentless barrage of driving, thunderous drums (which Isaac Holman played standing up while singing) and distorted guitars delivered by Laurie Vincent that ripped through the arena. This was not music to gently sway to; the duo’s ferocious performance acted as a pressure cooker (with Laurie even jumping into the crowd to play guitar at one point), churning up the atmosphere and priming the audience for the explosive spectacle that Cage the Elephant was about to deliver.

Finally, the moment arrived, and the stage was bathed in deep blue and purple light as the familiar figures of Cage the Elephant took their positions. Frontman Matt Shultz, a whirlwind of charisma and controlled chaos, emerged in a cool 80’s swagger that harkened back to the times of Mick Jagger. From the very first notes of the opening track “Broken Boy“, the connection was instantaneous and electric. Shultz was a perpetual motion machine who glided, slithered, and convulsed across the stage with an almost trance-like intensity as flames and lasers fired off around him throughout the night.

The setlist was a near-perfect journey through the band’s storied career, a testament to their evolution while never forgetting their roots. They seamlessly wove new material like the introspective and driving “Neon Pill” and the anthemic “Good Time” from the new album with the beloved classics that have defined them. The gritty swagger of “Too Late To Say Goodbye” sounded as vital as ever, while the psychedelic sway of “Trouble” provided a moment of hypnotic respite. The band itself was impeccably tight, a well-oiled machine that provided the perfect, chaotic foundation for Shultz’s antics. Guitarist (and Matt’s brother) Brad Shultz prowled the stage trading riffs with Nick Bockrath, while the rhythm section of Daniel Tichenor on bass and Jared Champion on drums was an absolute powerhouse, locking into grooves that were both complex and irresistibly danceable.

As the main set closed with the frantic energy of “Sabertooth Tiger“, the crowd’s roar was deafening, a demand for more that was answered without hesitation as the band returned for an encore that felt like a necessary conclusion. They delivered a three-hit punch for the ages: the timeless, swaying groove of “Shake Me Down” that had every single person in the venue moving in unison, followed by the ultimate release of “Cigarette Daydreams” and “Come a Little Closer” in a frenetic explosion of sound that saw Matt Shultz once again pouring every ounce of his being into the performance, his voice cracking with raw emotion in a final act of communion with his fans.

Leaving the Hard Rock Live, the feeling was unanimous: Cage the Elephant is a band operating at the absolute peak of its powers. They are not relics of a bygone era like most mid-2000’s indie rock bands that have gone by the wayside, but vibrant, essential artists who understand that rock and roll is not just about the notes you play, but about the feeling you share. Last night, they bottled lightning, and for almost two glorious hours, everyone in attendance was lucky enough to be struck by it.
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